Travejazz Festival Lübeck, A-Trane Berlin, BIX Stuttgart, Jazzclub Unterfahrt München, Jazzkeller Frankfurt, Culturstation Darmstadt, Cafe Museum Passau, Jazzclub Rostock, Jazzclub Augsburg, E-Werk Erlangen, Werk 1 Gossau (CH), Gambrinus Jazz St. Gallen (CH), Jazzweekend Regensburg, JazzGAP , Schmidt-Haus Nabburg, Jazzfrühling Kempten, Haberkasten Mühldorf, Barrista Herrenberg, Ermatinger Hof/Ermatingen (CH), Carl-Orff-Saal München, Salalalah (Oman), Bismarck´s Basement Bad Kissingen, Jazzclub Kiste Stuttgart, La Belleviloise Paris, Caveau des Oubliettes Paris, Jazzfest Berlin, Berns Stockholm, Jazzfestival Regensburg, Jazzfestival Bingen, Südtirol Jazzfestival, Smooth Jazz Festival Augsburg, Jazztage Burghausen, Philharmonie Berlin, B-Flat Berlin, KLANGfest München, Philharmonie München, Serenadenhof der Nürnberger Symphoniker, Tollhaus Karlsruhe, Porgy & Bess Wien (Österreich), Jazzfreunde Landshut, Jazzstudio Nürnberg, Künstlerhaus München, Neue Harmonie Bonn, Jazzclub Bamberg, „Female Jazz“, Bürgerhaus Kalk, Köln, Tollwood Festival München, Jazznight Mamling, Jazzclub St. Petersburg (Russland), Jazzfestival Schladming (Österreich), Festival „Lana Live“ (Italien), Almaty (Kasachstan), Leeds (England), Luxemburg, Jazz.Grafing, Colombo (Sri Lanka),


Porsche, Messe Frankfurt, Stanglwirt Kitzbühel, Hahnenkamm Rennen/Audi Kitzbühel, Käfer, Addidas, P1 Munich, Audi, Shangri-La Hotel Paris, Goodyear Luxemburg, Creativity World Forum Ludwigsburg, Messe Stuttgart, Regierung von Oberbayern, DaimlerChrysler AG, BMW World München, Messe München, Regierung von Schwaben, Schumanns München, Café Reitschule München, AWM München, Maritim Hotel, Vorhölzer Forum München, Opel, Bar Reichenbach München, Kempinski Hotel St. Moritz, Hotel Adlon Berlin, Goethe-Institut St. Petersburg, Toto-Lotto AG, Fraunhofer Gesellschaft, Tupperware Deutschland, Rotary Club, LEHEL Bar München, Allianz Versicherung München, Sporthotel Riessersee Garmisch-Partenkirchen, AEG Luxemburg, Tennisclub Iphitos München, Hotel Vier Jahreszeiten/Kempinski München, Pinakothek der Moderne/München, Bayerische Landesförderbank, Max Planck Institut,


"An absolute highlight, Stephanie Lottermoser is an exception in the jazz scene, she is young, pretty and talented. Above all you´re impressed by the incredible creativity and the joy for improvisation that she and her fellow musicians show on stage." Oliver Hofmann, WALDSEEer, 2016
"Silky smooth and exciting! Perfection and enthusiasm - Stephanie Lottermoser is not only a gifted instrumentalist, but also an expressive singer with a full and clear voice that reflects the melody of her instrument, its warmth, softness and elegance." Reinhold Radloff, Schwabmünchner Allgemeine, 2016
"Stephanie Lottermoser impresses with her musical class. A band that just spills with unrivaled vigor and creative diversity. " Vera Stiller, Schwäbische Zeitung, 2016
"Melodic beauty, lyrical intensity and hard groove. Convincing clarity, precise phrasing and a wonderful and beautiful sound. A thrilling saxophonist and jazz singer with a voice that sometimes sounds dreamy intense, sometimes concise and stirring up." Berthold Gallinat, Badische Zeitung, 2016
Summer soul jazz to revel, charm meets energy" Ralf Dombrowski, Süddeutsche Zeitung, 2016
"Stephanie Lottermoser - one of more and more women who strive for the top" Hans Hielscher, Spiegel Online, 2016
"Stephanie Lottermoser is able to convince her audience both singing and playing on the instrument with versatility and amazing musicality. As a singer of sensitive jazz ballads she can sound tender and longing, in next song she excites with powerful and thrilling saxophone playing." Süddeutsche Zeitung, Süddeutsche Zeitung, 2016
"A packed place and long-lasting applause for a great performance. Versatility and creativity in many genres from funk to folk, blues to pop are the strengths of this charismatic, versatile musician Stephanie Lottermoser." Sigrid Jahn, Echo Online, 2016
"Stephanie Lottermoser does not fit in any box, although she´s a master on the tenor saxophone. It would not be enough to call her a saxophonist and not to mention her values as a singer, songwriter, composer and arranger with an international reputation." Forum Kultur, Heppenheim, Forum Kultur, Heppenheim, 2016
"What attracts me so much is that a lot of different music influences come together in a very unique sound. Thanks to all the variations in the different tracks "Paris Songbook" is like a great surprise track. The motion, the dynamics, the renewal and the personal compositions all make this album a delicious round trip through music-land. A real recommendation!" Virginia Music,, 2015
" Saxophonist and singer Stephanie Lottermoser played with her ​​quartet on the open air stage at the Trave. Her music paraphrased the Jazz history less detailed, but it rather showed timeliness open and contemporary and surprised with a skilful balance between ambition and intelligent Easy-Listening. Since the whole affair also grooved with great virulence the numerous audience was quickly in the most beautiful mood. " Thorsten Hingst, Jazzpodium, 2015
" Bluesy, soulful folky funkjazz with a lot of groove . ( ... ) Singing and playing both have their very own expression for the front woman who acts between Chanteuse and mature instrumentalist. Talented . Intensive . " Christine Pierach, Passauer Neue Presse, 2015
If you like Grover Washington, Jr. and George Benson (and Fender Rhodes sounds!), you'll love this second album as a leader by German saxophonist, flutist and composer Stephanie Lottermoser. Specially such jazz-funk instrumental tracks as "Model Railroad Landscape" (nice Rhodes' contribution by François Faure), "Suddenly" (great Benson-esque guitar solo by Torsten Goods), "Get It" (a soul-jazz trip with organ sounds spiced by congas & tambourine), "Breeze" and the delightful "Coccinelle," on which she doubles tenor and flute. She sings, with a fragile voice a la Carla Bruni, on the more pop-oriented songs "Blues," "Pink," "The Day I Turned" and on the blues "I Hope That You Will Miss Me When I'm Gone" (in a duet with Torsten Goods, once again a great Benson disciple, flying beyond the blue horizon in a beautiful solo), "Somebody That I Used To Know" and "This Saturday." "Most of this album was written during a six month stay at the Cité International Des Arts in Paris between 2013 and 2014," Lottermoser explains in the booklet text. "It's not an album of French songs, but an album with my impressions, stories and memories of my time in that great city. I'm very thankful for that opportunity and all the things I experienced and learned and for the new friends I met!" Besides the eleven studio tracks, there are three bonus tracks recorded live at the Unterfahrt, Munich's top jazz club: "Step Ahead" (maybe Stephanie's best solo on the date, over an irresistible groove and with a nice wah-wah guitar contribution by Ferdinand Kirner), an alternate live verson of "Blues" and, surprise!, a touching bossa-tinged vocal reading of Charles Trenet's classic French hymn "Que Reste-t-il De Nos Amours," a song that João Gilberto also loves and recorded on his album with Clare Fischer. You did it again, Stephanie! Arnaldo De Souteiro,, 2015
"With Good Soul saxophonist and singer Stephanie Lottermoser takes you to the most beautiful way of moving, the Groove: Step in and step ahead (you must)! You make the first step with the wonderful sound of her funky saxophone. Hard, smoky, full. And it already snaps you forward, Ball-Change, oops, that's almost too fast! It slows down slightly, but it does not help, it snaps again: The Dance of an optimal urban summer-good mood from an 80s Michael Brecker! "Step Ahead", already kind of a hit, transports you into an album with titles such as "Prince of Scotland" and "Good Soul" in quartet and quintet versions where also references to the 70-Sound of Silver Horce or Tony Williams can be heard. A wide hipper Summer Main Tram, an exciting jazz Boulevard. "Chet" on the other hand is an extremely strong ballad in which you can hear well the gripping gentle sound of one of her great teachers: Don Menza. "Good Soul" is really very good stuff!" Michael Wüst, K-Magazin, 2014
"Saxophonist and singer Stephanie Lottermoser is not only one of the most talented, but also one oft he the most diligent young jazz musicians in Munich" Oliver Hochkeppel, Süddeutsche Zeitung, 2014
"Big applause from the audience for the sympathetic protagonists who show so much joy in their music. At the same time this formation is a band of four highly trained musicians who harmonize perfectly. (...) " Nabburg, KBW, 2013
"Good Soul" is not only an excellent album, it's also one of the most pleasant jazz albums I've heard in recent years. I've been listening to "Prince of Scotland," "Step Ahead," "Chet" and other tracks over and over again." Arnaldo DeSouteiro, Jazz Station Los Angeles, 2013
"Homogeneous expression and great dynamic balance (...). In her compositions and arrangements she concentrates on melodic, finely contoured lines and plays her instrument with a softly glowing, voluminous tone. Of course, the soloist also turns up impulsively, sometimes she plays in a way that sounds like juggling with melodic motives." Gabriele Schloth, Allgäuer Zeitung, 2013